Vol.70No.12024
Walden’s Cosmic Vision and the Paradoxes of American Transnationalism
Seolji Han
page: 3-24
Literary Criticism in the Postdigital Age: Spatial Narratives and Digital Storytelling
Sunggyung Jo
page: 25-47
Deconstructing the Discourse on Elderly Women: Elizabeth Moon’s Remnant Population
Meeyoung Kang
page: 49-73
“I prefer not to dine to-day”: Self-starvation under Biopolitical Regulation in “Bartleby, the Scrivener”
Younghee Kho
page: 75-95
Dialectics of Posthumanism and Retrohumanism in Ian McEwan’s Machines Like Me
Kim Dae Joong
page: 97-120
“What on Earth Did They Think They Were Doing?”: Plantation Mistress’s Precarious Identity in Valerie Martin’s Property
Kim Kwangsoon
page: 121-146
Home and Real Estate in Howards End: Marx, Mauss and Ruqaiya Hasan
Fang Li
page: 147-166
The Store as a Contested Space in Asian American Writing: Jade Snow’s Storefront in Fifth Chinese Daughter
Seung Ah Oh
page: 167-191
“The Broken Break”: Run Me to Earth and the Legacies of the American Cold War
Yoo Jae Eun
page: 193-214